Recently I was interviewed by Fantasy In Motion and thought I’d share it over here too. It’s a great site, go and have a look at his beautiful fantasy maps! He takes commissions too if you are looking for one.
Dawn, welcome to Fantasy In Motion. Thanks for joining us.
Thank you very much for inviting me, I’ve enjoyed reading your blog a great deal and I’m a huge fan of fantasy maps. I have a designer working on a map of Brotherhood locations at the moment so I’m looking forward to sharing that before the end of the year.
Could you start by telling us a little about your novel, Brotherhood of Shades?
Brotherhood is a contemporary ghost story with roots in the sixteenth century. Adam, a streetwise homeless teenager, dies of cold and starvation on the streets of London and after death is recruited into a clandestine organisation called the Brotherhood of Shades. The Brotherhood is an organisation of ghosts set up after the Dissolution of the Monasteries to oversee the passage of the living through the World Between.
The book details Adam’s transition into the Brotherhood, and their battles with demonic forces as they attempt to retrieve a coded manuscript, and protect the world of the living, from the world of the dead.
How did the idea/inspiration for the story come to you?
One of my first jobs was at the education office of a Cathedral and I used to dress as a monk to take children on guided tours. I was aware that young children worked in monasteries and had a brutal and harsh life there, and I felt that it was an untold story. Brotherhood started off as a short story but I liked the central character and knew that he had more to say and it grew from there. I’ve always loved ghost stories and felt that I wanted to bring classic ghost stories to a modern audience.
I was interested to see that you've previously worked in publishing and in libraries. Do you think that working with books has helped you as a writer?
I have always worked with books, but my first job in publishing was hardly what I’d call “in” publishing. I worked in the post room and one of my jobs was sorting the slush pile and making sure the unsolicited manuscripts reached the right desk – or not! Some of the manuscripts were, well, shall we say, odd! I certainly learned how not to submit a manuscript after wading through manuscripts that were sometimes barely legible. I think my favourite was one written on serviettes that had clearly been written whilst very drunk and made no sense whatsoever but became increasingly angry as the pile of tissue went on. The writer ended up ranting about how the publisher would be insane to reject them, but never actually got the point about the subject matter.
I have worked for over twenty five years in libraries and I am the current vice-chair of the London and South East School Libraries Group. I campaign hard for all schools to have a library and a librarian as I see this as essential to the literacy of our children, and our adults. Working in libraries has taught me so very much about books, and I read constantly. I always say to young people that if you want to write, first you must read!
Who would you say are your favourite authors/books?
That’s an impossible question! My favourite author is always the author of the book that I’m currently hooked on. When I find a book that I really enjoy my immediate response is to buy the entire back catalogue and read everything. I have so many favourites so it wouldn’t be fair to pick one out.
What was your first encounter with fantasy fiction? Have you always wanted to write in the genre?
I’ve always loved fantasy. I grew up in a hard-up area and the future did not seem promising for any of us kids. For me fantasy was the perfect escape and it remained that way and so when I came to write myself it was fantasy that drew me. I was never really interested in reading about the real world, and was far more interested in the world out of the corner of your eye.
I read Ray Bradbury, Susan Cooper, Ursula K LeGuin, Alan Garner, Brian Aldiss, Joan Aiken, the list is very long, shelves full of doorways to different worlds. I wanted to be somewhere else, I wanted to be chased across moorland by ancient spirits, battling my way out of dark houses in whirling snowstorms, fleeing scarlet-eyed wolves across wild moorland, conjuring spells to hold back demons, escaping dark forces hell bent on destroying me… basically anywhere other than a tatty and cold school heading for a job in a factory.
When I came to write myself it was not as if I had a choice. I think that all writers need to find their voice and the story will roll out. I didn’t really choose my genre, it chose me.
What was your route towards publishing your first novel like? Any advice you would give to any of our readers who are looking to publish their first book?
Oh dear, my route was very long and complicated! This book was almost published a number of years ago and then the imprint went under and I was left without a publisher. I was lucky in that I did have an agent and he supported me and encouraged me to keep going. My book still didn’t sell (the public seemed to have moved on to an obsessive desire for sparkly vampires and ghosts were not deemed fashionable) and so I focussed on my other work in school libraries.
Writing is a very isolating business and a friend encouraged me to upload my work to the writer’s site – authonomy. I wanted some feedback and it was nice to have the opinion of other writers. My book was very quickly spotted on there by the man who almost took it to print the previous time! He remembered Brotherhood and recommended it to the rest of the team and they enjoyed it so much that they took it to print. These days it’s not about pleasing one person of course, your work has to be enjoyed by a team of people including the marketing team.
My advice would be to be prepared and get some professional editing if you can afford it. I’d buy the Writer’s and Artist’s Yearbook and try to get an agent first. There are a few writer’s conferences throughout the year where you can meet agents and publishers and those are a sensible investment. Work on your pitch though! If you can nail your plot down to a sharp thirty second pitch, and then hand over a card with your details on, that can do it. I know a good number of people who have secured agents on a “could I ask for thirty seconds to pitch my work to you?” Agents are used to this approach, and a good one won’t mind. If they do mind and react badly, you wouldn’t want to be stuck with them anyway!
Where do you stand in the print vs. e-book debate? Do you think paper novels have had their day or is there room for both formats?
Video did not kill the radio star! I think there is more than enough room for both formats, and we need both. I love my e-reader as I travel a lot and can’t possibly carry hundreds of books around with me in any other format, but I also love print books. A recent survey suggested that people often read the book first on e-reader, and then buy the print copy to keep if they enjoy it – I know I’ve done this! There will always be books that simply do not work in e format, academic and study books for example. Students need to be able to annotate several texts and compare them all at once using several indices, that’s just not possible in e-book form. You simply can’t lay six kindles out in front of you and jot down notes on the pages!
I think that print publishers need to start to be more creative and to offer more for the print version to encourage people to buy it. Maps work so well in printed books, and extra material only available in the print version, or beautiful binding and covers, and maybe offering a free e-version if you buy the print version?
There is a good reason that books will last, they are the best at doing what they do – carrying words. The main thing is that they do not become unreadable. Twenty years ago I remember working with floppy discs and microfiche but now these formats are virtually unreadable, whilst books hundreds of years older are still perfectly accessible.
I think there is space in the market for all formats and we need to remember that it’s the story that counts, not the object that carries it.
Do you have any tips for aspiring authors out there?
Don’t give up, and don’t be precious – get advice and share and grow a very thick skin! I know so many people who say they want to write a book and seem to think it is easy, and that’s why people quit. The first time they get a knock-back, or hear something negative, or actually can’t stick at it to get those words on paper, people quit. If you really want to write a book you need to first accept that it is incredibly hard and time consuming work. It is not something to take lightly and dip into now and again, it takes time and dedication to get over a hundred thousand words down! Once you’ve accepted that it is hard work, and that you will have to make sacrifices to achieve it, then you can do it.
Young people ask me all the time how to become a writer and I always say – write down all the things, and then write down some more!
Are you able to share with us what you are working on at the moment?
I am currently working on the sequel to Brotherhood which is set in some stunning locations from nineteenth century Paris, to London and on to a remote Scottish island. The sequel is very Steampunk as I have a bit of an obsession for automata and machines. I’ve had this idea churning away for some time and am hugely enjoying writing my machines, and avoiding all jokes about the ghost in the machine!
Dawn, thank you very much for your time!
Thanks again for inviting me on board, and I very much look forward to reading more!